Equine #11

Equine #11 / 12x12 / oil on canvas panel

Trying desperately to break out of my painting slump, I decided to revert to the leaping equine series. I had stopped at #10 and so, today, #11 has appeared. I am hoping that getting back to a familiar subject will shake up my painter's brain a bit and allow me to feel some comfort with brush and canvas again.

Drawings, But, Sadly, No Paintings

"Painting is easy when you don't know how, but very difficult when you do." Edgar Degas

Having recovered from my virus, I am now trying to recover from doldrums at the easel. It's not that I have not been painting - in fact, I paint almost every day. It's just that I am so unhappy with myself right now. These things that are emerging from my brush - the strokes, the lines, the color, even the subject matter - are not mine. I have wiped them all off for fear that someone might think I have painted them - that would be horrible!

And so I will show you my drawings from this morning. At least I know that I drew them!

Constance / Sienna Conte on white sketch paper /17x14

Constance / graphite and white charcoal on tan toned paper / 14x11 

My throat is dry, my nose is red, I have a cold inside my head......

A week of cold, congestion, coughing and sleepless nights. Ugh - something miserable I caught during my trip to Los Angeles and have had a hard time beating.

I did manage to drag myself to this mornings portrait session to draw the lovely, young Ashley.

And the portrait from last weeks short session - Willow.

Now off I go to wrap myself in a warm throw (its rainy and cold here today with new snow on the mountain tops), drink some hot tea and read the Degas biography that I started a while back.

A Real Live Cowboy and a Bashkir

Cowboy Brad / graphite and white charcoal on tan paper /14 x 11

Brad / graphite on cream paper / 24 x 18

Back home from my trip to Los Angeles just in time to attend Wednesday life session with a real live cowboy. Brad owns a ranch and breeds Curly Coated Bashkir horses and also breeds paint mustangs. He is deeply involved in  charity work and frequently auctions off a paint foal in order to give the proceeds to a children's cancer group that helps families pay for treatment. He surely will have a special place in heaven. He was a very rugged guy with a well tended mustache and a flat brimmed hat. The hat challenged me the most as it was deep black with very little nuance or color and seemed to absorb rather than reflect the light. The tassels hanging over his shoulder are called a Storm Chaser and apparently work to hold the hat in place in case of high wind! He was a great model. Never having heard of curly coasted bashkir horses, I did a Google search and this is what I found:

Drawing and Painting

What a joy this mornings portrait session was! Jeff was a perfectly composed model and somehow he neglected to bring  his parrot, his dog and his pony to the studio! He, did, however, insist on wearing his heavy tortoise shell glasses - but  no matter. Although I could not see his eyes and this session was so well attended that there was no hope of moving my easel, I feel that today was a success. I allowed my mind to fill with thoughts of Jeff and how they might translate into marks made upon the paper.

Jeff / graphite on cream paper / 24 x 18

Jeff / graphite and white charcoal on tan paper /  14 x 11

 In a week filled with family dramas, I found time to dash off a quick portrait study on cardboard and to begin Ballerina painting # 31. Its been a while since a ballerina called to me and I was most definitely caught by surprise!

James McNeill Whistler study / oil on cardboard / 12.5 x 12

 I love this concept of her and can't wait to work on it again - however, tomorrow I am flying to Los Angeles to attend to some family matters so she will have to stay in her unfinished state a while longer.

Ballerina 31 start / oil on linen / 24 x 18

To keep myself grounded and occupied in quiet moments, I purchased a used copy of Ray McMullens definitive biography (written in 1984) of Edgar Degas to read and absorb - Degas: His Life, Times and Work.

I would also like to take a moment to thank everyone that follows my blog, reads my thoughts and comments on my artistic endeavors. I value each person that takes a peak and each person that responds. You all leave deep impressions on my heart and I am so grateful to you all.

And then there was a Shepherd

Jim and Bella / graphite

Jim / graphite

"The heart is an instrument that rusts if it is not used. Without a heart, can one be an artist?" Edgar Degas

And Then There was a Parrot!

“She was not quite what you would call refined.
She was not quite what you would call unrefined.
She was the kind of person that keeps a parrot.” 
― Mark Twain

I was so excited to attend life drawing this morning! I got up with thoughts of truth and sincerity abounding in my mind and rushed off to the studio with lofty goals of rising above the mediocre, of guiding my pencil to hint at the complexities of emotion and substance of my model. How funny that I should be so taken aback by the presence of a parrot! She was a glorious green with a yellow head and one or two red wing feathers and was a paragon of mystery - warbling softly to herself, laughing heartily at her own jokes, crunching mightily on toasted oats, occasionally bobbing her head in wonder at the action around her. Oh, to draw the truth of a parrot! And so, confronted with the enigma that is her mind, I decided to focus on her owner instead!

Milo and Linda / pencil on cream laid paper / 24 x 18

Linda / pencil on cream laid paper / 24 x 18

Legion of Honor Art Museum In San Francisco, CA

Oh, what an extraordinary visit to an extraordinary place!  I will try to tell you the story of my trip in photographs and words. I had not been to San Francisco for many years, not since my children were small and we ferried over to Alcatraz and spent time at Fisherman's Wharf. This trip was different and San Francisco struck me as such a vibrant, whirlwind of a city. We were fortunate enough to stay on the 29th floor of the Grand Hyatt with a sparkling view out toward SF Bay where the Louis Vuitton Sailboat Races were in high gear. This view was even more incredible at night!

Saturday morning began overcast with a dense marine layer but soon cleared and we had a perfect day. The Legion of Honor is a re-creation of a French Palace and was given to San Francisco in 1924 to honor soldiers of WWI. It is a spectacular building in  pale gray marble set high on a hillside overlooking the Bay and surrounded by groves of old and elegantly sculptural cedar trees.

What a surprise to walk through the center archway into the starkly beautiful Court of Honor and find it dominated by Rodin's The Thinker!

The special exhibition, Impressionists on the Water, was perfectly done and displayed in one awe inspiring room after another. Although photography is allowed in the permanent collections, it was prohibited in this special collection so I can only tell you that it was a true joy to see. For almost 2 solid hours I was surrounded by Monet, Pissaro, Signet, Sisley, Vuillard, Bonnard, Pissaro, Renoir and others. I had a chance to see how they covered their canvases, to analyze their brushwork, thickness of paint and intensity of color. I was mesmerized. After viewing the collection, my overall feeling was that the picture most well done, the one that shimmered with dappled sunlight and glistening water, that whispered with the rustle of women,s skirts and shivered with leaves dancing in the gentle breeze was Monet's Harbor at Argenteuil - this is a photo from the internet of the painting and, as always, does not come close to portraying the incredible skill and beauty of this piece.

But, surprisingly, this was not my favorite. I found myself going back numerous times to view a small oil painting on cardboard by Toulouse Lautrec. It was painted as if Lautrec was sitting in the front part of a boat as it cut through the turquoise waters of the lake with the prow jutting forward and the sky racing with clouds overhead. It was so emotional, so fascinating in its utter focus and intensity. I adored it. Unfortunately, I cannot find a photo of this painting on the internet, nor did they have anything in the gift shop with this painting reproduced - but it is etched in my memory forever!

After lunch in the very charming museum cafe, I meandered through the permanent collections and photographed a few pieces.

Having grown up in Philadelphia, I spent a lot of time at the Rodin Museum there, and was delighted to see that the Legion of Honor has an extensive Rodin collection beyond The Thinker in the courtyard, all magnificently displayed in two private rotundas.

Auguste Rodin / The Three Shades / 1880

And then there are the paintings:

Jacopo Pontorino, Italy / Madonna and Child with Two Angels / 1445-1557

 I was surprised at how modern this piece appeared with the tender positioning of the figures, the delicately painted faces and the brilliant colors.

Modigliani - his approach and canvas surface texture is so unique!

Joos van Cleve, Dutch / Lucretia / 1525 - her face is utterly remarkable. I could have spent an hour looking only at that.

Peter Paul Reubens / 1612 / The Tribute Money 

Rembrandt! / Joris de Caulerii / 1632. The depth of insight into this gentleman displayed by Rembrandt's brush is nothing short of miraculous.

Frns Hal, Dutch / Portrait of a Gentleman in White / 1635. A stunning portrait that dominates the gallery it is in. It made me gasp when I saw it.

Gustav Courbet / The Wave / 1869 - his brushwork deeply influenced Monet

Jules B LePage / Sarah Bernhardt / 1879. I am not familiar with this artist but this portrait is so breathtaking and so exquisitely done. She is a presence to be reckoned  with.

Louis Maurice Boutet de Monvei / Portrait of a Man / 1875. Another unfamiliar artist that did an awe inspiring portrait.

A gallery with a large Monet Waterlilies

Oh, I could go on and on as I took hundreds of photos and have been pouring over them. But I hope this gives you an idea of the wealth of paintings in this gem of a museum and perhaps inspires you to make your own visit one day. In November the special exhibit will be Anders Zorn. Imagine that!

Truth and Sincerity

Owen / 18x24 / ebony pencil on cream paper

After a lifetime of drawing and painting, I remain awed at the marks left behind as my pencil nervously moves over the smooth grained surface of the paper, connecting here and there, linking blank spaces, creating hard tension and soft grayness. The hand of the artist is so apparent but this is, in the end, a pictorial equivalent of the model. I have been thinking a lot lately about the model, about how much more he/she is than the curve of a nostril, the line of the mouth or the play of light across the skin surface. And so today, as I guided my lines, I tried to hold foremost in my mind the truth of this sitter, the unique aspects of his life and personality as shown in his face and posture, I desired to try and draw him with utter sincerity and respect for his uniqueness in the universe and without flattery. 

Proceeding with Certainty and a Birthday Celebration

Proceeding With Certainty / oil on linen panel / 18 x 24

Painting the background landscape was almost as intriguing as painting the horse and jockey!

Today is my birthday and although I have had a difficult time lately, today is a day for celebration and some fun. My husband woke me up early (6:30 am) by playing Paul McCartney's Birthday Song - a rousing start to the day! He also surprised me with some almost antique art books including this one from 1943:

Although the dust jacket is worn, the book is in excellent shape and is absolutely fascinating in mostly black and white. Such incredible, meticulous work. One personal feeling that I get from leafing through it is that I must take my life drawing sessions more seriously. And, as a girl cannot have too many easels, she also cannot have too many art books!

Later this week, we are flying to San Francisco to see the Impressionist exhibit at the  California Legion of Honor Museum. I am so excited as it has been a while since my eyes have feasted on impressionist work. There is no photograph or reproduction in the world that comes near the experience of seeing the actual work, life size as the artist intended. I can hardly wait - what a birthday week!

Life Demands a Profile

This has been a very difficult few days for me in my personal life and, although I forced myself to go to the portrait session on Wednesday morning, my heart was not in it. My first two sketches were so forced that they failed miserably - one I erased entirely and the other I felt like tearing into tiny pieces after struggling with it for a long and frustrating time. Finally, I moved to the corner of the studio and quietly composed myself enough to do a quick profile. This one I am happy with as there is a good likeness and perhaps a little more.

Arches Oil Paper and the White Pony

The White Pony / oil on paper / 12 x 9

Always in the mood for experimenting, I recently bought a tablet of Arches cold pressed paper for oil paint. The marketing information states that it is a professional grade paper formulated to be used for oil painting without any preparation. It is ready to be used as is and contains a unique oil barrier that prevents bleed through. I would have preferred to try it out in a larger size, but the 9 x 12 pad was all that my local art supply store carried. I enjoyed it very much as I really like the way the surface grabs the paint and keeps it there. It was fun to use but I struggled with this small size as I prefer to paint larger. It took every ounce of skill I could muster to fit this on the paper!

Hold the Thought Delicately in the Mind

Finally, finally, finally a painting turned out something like I had in mind before I started. I have had such a tendency to tighten up lately when painting in oil. I was beginning to fear that my Wednesday portrait sessions, where I am trying to draw what I see so I can capture a likeness and an expression, were beginning to affect my painting. Thank goodness this piece has looser brushwork and a more abstract quality.

The Purity of Life

Genelle left profile / 20x18 / graphite on Strathmore 400 series drawing paper

Genelle  right 3/4 view / 22 x 18 / ebony graphite on Strathmore 400 series drawing paper

What an adorable, beautiful, lovely, fresh and personable model we had this morning!  Genelle, the granddaughter of one of the portrait artists in the group, will be 11 years old on Friday and begins 6th grade on Monday morning. Having just returned from an adventuresome vacation in Oregon, she was eager to tell us all about it and found it hard to stay awake unless she was chatting. I wish I had drawn her yawning - her yawns were priceless and she had a tendency to randomly say things like "I can't wait to get out of here and run around!" It was a most relaxed and delightful morning and I feel very pleased with the likenesses that I captured. This week I used a more grown up paper than the newsprint I have used for so long. It is a cream colored 80 lb smooth surface Strathmore drawing paper. I like how it grabs the graphite but I had trouble with my hand smearing the lines quite a lot and found I was using my eraser much more than usual. Perhaps it will just take some getting used to.

Untitled Oil #2

Finally got back to this picture that I started and posted on June 12th - I didn't realize that I left it sitting on the easel that long. But today it called to me and demanded I bring it to completion. I will think about the titles for my two new pieces and perhaps have them named by tomorrow.

Untitled #2 / oil on linen panel / 18x24

And a photo of me with both recent equine paintings wearing my brand new prescription Jimmy Choo sunglasses!

The small easel just to my left is a Mabef folding easel that I bought to take to my Wednesday life drawing classes. It folds up very compactly and weighs only 3 pounds. It is made in Italy of elm and is a work of art in itself with gorgeous brass hardware. Its nice and sturdy and I may have started a trend in the drawing sessions as another artist already purchased one! It is lovely and has additional front supports to hold a palette if you want to use it for field sketching. I also use it in my studio for paintings that are drying. A multipurpose purchase that I am happy with!

Untitled Oil

Unusual color for me! Oil on linen panel / 16 x 20 / untitled as yet. The bottom photo is a close up of a section of the larger piece.

Life Sketches

 Back at the Portrait Society, Beatyanne was our Wednesday morning model and I was able to sketch her twice. Both are graphite on newsprint about 18 x 16.

I am feeling like I should try a higher grade of paper for my life drawing sessions as the newsprint does not have a flat surface but is kind of ripple-y. It does not make for a good finished product and does not photograph very well. Does anyone have any suggestions for a good smooth textured drawing paper? I would like to try a slightly toned paper - perhaps a cream or tan color.

Coeur D'Alene Art Auction 2013

I am so fortunate that Reno is home to the nation's biggest and most successful auction of Western art! Every July, hundreds of collectors from Maine to Hawaii flock here to eagerly spend millions of dollars on important works by Frederic Remington, Charles M. Russell and other celebrated painters of the old west, as well as some works by more contemporary artists. I doubt if attending an auction at Sotheby's or Christie's could have been more exciting than attending the Coeur D'Alene Western and American Art Auction at the Peppermill Resort this past weekend.  With some art valued in the millions of dollars and lots of art valued at several hundreds of thousands - it all set my heart to beating fast! Friday night was the auction preview and cocktail party. I read that over 45 private jets landed at Reno Airport with people flying in from all around the country to participate - that is why it was moved from Coeur d'Alene in 1999 - their airport could not handle all the traffic for the show. 

I devoured the images and text in the auction catalog cover to cover so I could be somewhat familiar with the art and the artists as Western art is not my usual cup of tea. I had a lot to become familiar with and to learn. When I saw, rather incongruously,  that a Fechin charcoal portrait drawing was on the auction block, I fell in love with it and rashly decided to register to bid. Paddle # 201 - that was me!

The 314 framed pieces and sculptures were set up in the Grand Exhibition Hall on long tables that circled  and ran up and down the length of the room. All pieces were identified by their lot number so it was easy to follow along in the catalog if you so desired. The room was cavernous and the quantity of art overwhelming. I took the photos in a moment of relative quiet as the preview was very well attended but the crowd was not crushing. Beverage stations were set up with wine, mixed drinks, sodas and water and the cocktail table buffet opened up at 6. The food was very nice - mushroom caps stuffed with spinach and cheese, tiny quiche lorraine, lamb chops and chicken skewers with special sauces, carved beef and turkey, crab cakes - something for everyone. 

 Peter Stremmel, one of the founders of this auction in 1989 and the owner of the Stremmel Gallery, was the auctioneer. It took a few lots before I caught on to the process and could understand the bidding. Each lot, no matter the size or value, took approximately 1 minute to auction - it was a furious pace! I would guess that between 700 and 1000 art buyers were present and each piece generated a flurry of bidding. There was also a telephone bank and line of computer terminals so, in addition to those who were present, there were plenty of bidders on the phones and internet.

As the auction proceeded, each piece was carefully brought up to the front and placed on a rotating table with its image projected onto two large screens at each side of the stage so every one had a great view. Located throughout the crowd were "yippers". These are auction employees who identify the people who are bidding for each piece and bring their bids to the attention of the auctioneer with a series of loud "yips"! When a lot of people are bidding on one piece, the exhibition hall was ringing with the sounds of the yippers and the constant patter of the auctioneer. I was amazed that everyone seemed to know exactly what they were doing and what the price was at each second of bidding - what a challenge!

A "yipper" with his hand raised facilitates the bidding

This large,  beautifully precise painting by Norman Rockwell was painted in 1940 and graced the cover of Boys' Life magazine in 1942. It generated some very frantic bidding and when the dust settled, the new owner paid $3.8 million dollars for it!

A Scout is Loyal / 1940 / 39 x 27 / Norman Rockwell

Probably the most exciting event of the evening was the auctioning of Fredric Remington's breathtaking piece called Cutting Out Pony Herds (A Stampede) painted in 1908. Remington died in 1909 and this painting was kept by Collier's magazine until 1913 when it appeared on the February cover. The story of the painting is that an Army Trooper was sent to fire his revolver while riding around a herd of Indian ponies in hopes of stampeding them. This would make the Indians more vulnerable to attack. I don't think it took 45 seconds to sell this piece. There were many bidders but in the end one gentleman in the crowd purchased it for a long, cool $5 million dollars. Here is a photo of him after he had won the bid - he is the dark haired man standing in the back on the left.

And his prize!

Fredric Remington / Cutting Out Pony Herds /  27 x 40

Some other art that caught my eye:

A beautifully detailed and painted bronze sculpture by Earle Heikka. It is 49 inches long and would look so wonderful on a rustic mantle in a Montana or Wyoming ranch home!

A small oil of a Vermont Landscape by Leon Gaspard.

Howard Terpning / Telling of Legends / 32 x 52 / SOLD! for $1.5 million

Bob Kuhn / acrylic / Battle on the Bern - Lions Share / 30 x 48 

Gerard Curtis Delano / The Fur Traders / 32 x 42

Kenneth Riley / Shadows / 12x24

 And finally,  the very fetching Fechin that captivated me and I wanted for my own!

Nicolai Fechin / Stout Man /  16 x 14

Even though it was not meant to be mine, it was an incredible experience to bid, to have a yipper shouting out my bids and to be involved in all the excitement. I can hardly wait for next year!